PDF Download California: Portrait of a State (Portrait of a Place), by David Muench

PDF Download California: Portrait of a State (Portrait of a Place), by David Muench

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California: Portrait of a State (Portrait of a Place), by David Muench

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Book Description

It's all here: the fruitful cornucopia of the Central Valley and the solitary ancient pillars of redwood old-growth forests; the soaring granite cliffs of Yosemite Valley and Death Valley's heat-blasted wastes; the sun-drenched, flowering meadows of the High Sierra and breathtaking sunset sky canopies reflecting off coastal mists. The Muenches apply their decades of on-location photographic skills to the making of interpretive views embracing all aspects of California's primal myths and realities. Among the one hundred powerful, evocative color plates within these pages, you will find a California that sings of the breadth and depth and soaring heights of the American spirit.

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About the Author

David Muench is a master professional photographer with more than 50 books, countless exhibits, magazine articles, and countless images that merely point to his life work in large-format photography which has become a benchmark in American landscape photography. California is where David grew up and lived for many years. David presently lives near Albuquerque, NM. Marc Muench, David’s son, has established his own right in the field of landscape photography. He has a number of book titles to his credit, and shares credits with his father in this Portrait series book. Marc lives near Santa Barbara, CA with his wife, Stephanie.

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Product details

Series: Portrait of a Place

Hardcover: 112 pages

Publisher: Graphic Arts Books; Photographic, with dust jacket edition (November 1, 2004)

Language: English

ISBN-10: 155868848X

ISBN-13: 978-1558688483

Product Dimensions:

10 x 0.6 x 10 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

30 customer reviews

Amazon Best Sellers Rank:

#101,067 in Books (See Top 100 in Books)

I own and have thoroughly enjoyed all of James Lawrence's books. California is my home state and I've been up and down her coastline, in her valleys, and lived in the beautiful SF Bay Area. She has a lot to offer every person. You haven't lived if you have never stood on one of her beaches and been bathed with the golden glow of a sunset. It can give you the feeling that people talk about when they meditate.The photography is by the best photographers ever born. They are David Muench and his son, Mark. A few photographs are by Zandria Muench Beraldo. The photographs take you from the coastline on the west to the Sierra Mountains in the east and many places in between. Some of these places look so remote that you think maybe no one, but them, ever set foot there. If California was a beautiful woman, the photographs would show that she wears lush colors in her diversified landscapes.This is a hardback book with 144 colorful photographs on 144-pages. There are four areas covered: Mountains, Oak and Grass, the Coast, and Deserts. At the back, you will find a large, colorful map of this great state.Why should you have this book? The contents have many things to enjoy, besides the photographs. James Lawrence shares his knowledge on some of California's history to support his premise of how this state brings "promise and fruition" to many people. Then, he draws you into his story with details of a personal journey over California that he and a best friend, Marty Alameda, takes while flying in their hang-gliders and then their ultra-light planes. Want to see what an ultra-light plane looks like? Look at the picture on the back cover of the book showing James happily flying very high in his. His stories give us details about the dangers of flying in these vehicles and why caution is so important. You read about close calls and the humorous tales of the things that can happen when on a journey with a good friend. There's a peaceful moment with a daughter. James has a great gift for writing. You begin to read his book, but after a short time, his descriptions have you there with him and Marty and you see what they saw at that time. If you don't know California, you will when you finish and understand why she's a great state.

Beautiful! I gave this to my study abroad 'parents' and they loved it. So many gorgeous, clear, bright photos. I would buy prints of pretty much any of the photos in a heartbeat and now want to see more of CA. Moreover, it was a great way to show off my home state to people that don't speak English and haven't seen California.

I love California so I loved the book!

This is such a great book! It features plenty of beautiful photos and makes you feel like you're actually there. It gives of you an overview of the diverse biomes that California has to offer. There's desert, mountain, ocean, and rain forest. If you're a visual learner, like me, and want to learn all there is to know about California, I'd recommend this book.

This wonderful book was a gift and the recipient loved it as did I. Beautiful, stunning photography and it covered many miles of coastline. I recommend this for a gift or for your own reading pleasure.

Book arrived in good conditionVery beautiful pictures.

The magic that David Muench (and his son) make with their cameras creates a lovely portrait of California. There's not much text, which I'm happy with, and except for a few more "touristy" images, I'm very happy with the book.

Beautiful photos. Includes many photos of snowy Sierras.

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California: Portrait of a State (Portrait of a Place), by David Muench PDF

California: Portrait of a State (Portrait of a Place), by David Muench PDF

California: Portrait of a State (Portrait of a Place), by David Muench PDF

California: Portrait of a State (Portrait of a Place), by David Muench PDF

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Ebook Free Modern Leatherwork for Makers: Traditional Craft Techniques Meet CNC and 3D Printing, by Tim Deagan

Ebook Free Modern Leatherwork for Makers: Traditional Craft Techniques Meet CNC and 3D Printing, by Tim Deagan

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Modern Leatherwork for Makers: Traditional Craft Techniques Meet CNC and 3D Printing, by Tim Deagan

Ebook Free Modern Leatherwork for Makers: Traditional Craft Techniques Meet CNC and 3D Printing, by Tim Deagan

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About the Author

Tim Deagan has written for Make: magazine, Nuts and Volts, and other technical publications. He is a licensed Texas Flame Effects Operator and the Flame and Safety Coordinator for the Austin Mini Maker Faire. After years of building flame effects, aka "booshes," in the local Burn community, Tim began teaching classes called "Propane 101" and "Build Your Own Aluminum Foundry" to help other interested makers create their own projects. As a former firefighter in the Brent Volunteer Fire Department and captain of a Red Cross Disaster Action Team, Tim has always believed that the most exciting pursuits are at their best when safety is fully understood and becomes part of the culture. Tim is also a contributor to the open-source 3D CAD program OpenSCAD and an active member of the Handibot CNC and Printrbot 3D printer communities.

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Product details

Age Range: 12 and up

Grade Level: 7 and up

Series: Make:

Paperback: 238 pages

Publisher: Maker Media, Inc; 1 edition (August 21, 2017)

Language: English

ISBN-10: 9781680453201

ISBN-13: 978-1680453201

ASIN: 1680453203

Product Dimensions:

8 x 0.5 x 10 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#917,824 in Books (See Top 100 in Books)

A long, long time ago, I remember being given a set of leather punches or dies. They were intended to be used to stamp patterns into leather. I don’t recall ever having anything more than leather scraps to work on, but it was fun while the excitement lasted. I am still attracted to hand tooled leather goods. I admire the craftsmanship and artistry, recognizing that I lack the patience to pursue something like this. Tim Deagan’s somewhat odd tome on using CNC machines, 3D printers and other devices, like craft cutting machines has reawakened my old interest in the form of lust. Now I want a CNC machine and a 3D printer. (I already have the cutting machine.) Ultimately “Modern Leatherwork for Makers” has little practical value to me. Despite the addition of modern technology, this very well-illustrated book drives home once again that leatherworking is a hand-craft and now I not only lack the patience, but the manual dexterity. Deagan provides a thorough basic introduction to leatherworking. I found this to be informative and also convincing, in the sense of making it clear that leatherwork is something for me to admire, not to create. He then goes on to describe how CNC machines and 3D printers can be brought to the craft. These equally thorough basic introductions convinced me that I need a 3D printer soon – and, quite possibly, a CNC machine. Deagan provides seven projects illustrating concepts. One of them, a combination hatband for a Steampunk-style top hat and action cam, opened my eyes and my mind to something I have long wanted to try. Each of the projects is fascinating in its own right for me, as Deagan demonstrated how the machines can be used. Deagan’s writing style is excellent. He is thorough without becoming pedantic. His attention to detail is very impressive. Even though I will not pursue leatherworking as an advocation, I am indebted to Me. Deagan for an excellent introduction to the practical use of CNC machines and 3D printers.Jerry

Veteran practitioners of the ancient art and craft of leatherwork may recoil at the notion of introducing computer numeric control (CNC) machines, software and 3D printers into processes they have always done carefully by hand, with hand tools. The author of this book, Tim Deagan, however, is a bit of a modern Renaissance man when it comes to making things and trying new technology. His new book is a refreshing blend of (1) time-proven, basic techniques for cutting, grooving, gouging, beveling, edging and joining leather, (2) using hobby-level CNC machines to cut pieces and laser-drill holes, and (3) using 3D printers to impart decorative designs onto leather surfaces. It should be noted right away that these 3D-printed embellishments will not be nearly as durable as hand-tooled decorations that have been hammered into leather. But Deagan is not deterred in his mission. "Modern Leatherwork for Makers" likely will encourage tech-savvy makers (young, old or in between) to try their hands at leatherwork. "With a willingness to trade durability and strength for customization and availability," he writes, "leatherworkers can easily 3D print many items that expand their capabilities." The projects in his book are geared toward beginners, usefulness and fun. The leather items range from a video-game-inspired cell phone case to a fractal-pattern journal cover and a Steampunk action-cam top hat band. But hand work is always required with these projects, including stitching, dyeing, coloring, finishing and using products to hasten the softening of leather. Even if you don't want to work with CNC machines and 3D printers, you can learn some good, basic leatherworking skills from this book. "Modern Leatherwork for Makers" is written clearly, well organized and well illustrated. So which is better, "old-school leatherworking techniques" or "modern digital fabrication methods"? Tim Deagan admires the careful artistry of those who pursue the time-honored approaches. But he believes modern technology is bringing new capabilities and possibilities to leatherworking, as well. "I don't believe that either is better than the other; I believe they complement one another beautifully," he contends.My thanks to O'Reilly Media for providing an advance reading copy for review.

I figured that this would expect some background in the maker world of tools, so 2d+1 CNC machines and 3d additive printing, and then would try to introduce leatherworking and some ways to use the maker tools in leatherworking. But there was I think too much assumed, on both the maker side and the leather side. I could see some interesting projects in here, but a first read did not teach me much in the way of technique. Perhaps if I knew traditional leatherwork? Maybe that would have helped. With a different background, your mileage might vary (a lot).

This is an excellent how to. I love that it includes the most basic leather buying terminology. It covers basic leatherworking as well as using the 3d printer and CNC machines, with software, to take it up a notch. Several projects are discussed that are very in demand and modern, like steampunk, cell phone cases, shoulder bags, ect. Cutting and joining leather, basic tools, rivets, grommets, dyes, lubricants- it's pretty much all there for the basics. The book has resources too, from free software that you can use, to patterns to download, supply houses for leather and supplies, and websites of interest to makers.It's well illustrated, easy to understand, but do expect some work learning to use the software and machines. The book does facilitate that though.I'm not sure I'd gift this book to anyone, because of the skill level involved, but I think it's an excellent guide for a cosplayer, fashion designer, or leatherworker who wants to take their work to a professional level with modern projects.

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Ebook Download Earthquake Diaries: Nepal 2015: Dateline Kathmandu (Himalayan Travel Guides), by Sian Pritchard-Jones Bob Gibbons

Ebook Download Earthquake Diaries: Nepal 2015: Dateline Kathmandu (Himalayan Travel Guides), by Sian Pritchard-Jones Bob Gibbons

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Earthquake Diaries: Nepal 2015: Dateline Kathmandu (Himalayan Travel Guides), by Sian Pritchard-Jones Bob Gibbons

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About the Author

Siân Pritchard-Jones and Bob Gibbons met in 1983, on a trek from Kashmir to Ladakh. By then Bob had already driven an ancient Land Rover from England to Kathmandu (in 1974), and overland trucks across Asia, Africa and South America. He had also lived in Kathmandu for two years, employed as a trekking company manager. Before they met, Siân worked in computer programming and systems analysis, but was drawn to the Himalaya en route from working in New Zealand. Since then they have been leading and organising treks in the Alps, Nepal and the Sahara, as well as driving a bus overland to Nepal. Journeys by a less ancient (only 30-year-old) Land Rover from England to South Africa provided the basis for several editions of the Bradt guide Africa Overland, including the sixth edition published in May 2014. In Kathmandu they previously worked with Pilgrims Publishing, producing cultural guides - Kathmandu: Valley of the Green-Eyed Yellow Idol and Ladakh: Land of Magical Monasteries - and a historical look at the Guge Kingdom, Kailash: Land of the Tantric Mountain. In 2007 they wrote the Cicerone guide to Mount Kailash and Western Tibet, as well updating the Grand Canyon guide. During 2011 they returned to Tibet, this time driving the same old Land Rover back from Kathmandu to the UK overland via Lhasa, through China, Kazakhstan, Russia and Western Europe. Their Annapurna trekking guide was published by Cicerone in January 2013, with the second edition in February 2017. For Himalayan Map House they are writing a series of trekking guidebooks (Himalayan Travel Guides) covering the newly developing Great Himalaya Trail. So far their publications include a guide to Manaslu and the Tsum Valley (second edition); Upper and Lower Dolpo; Ganesh Himal (Tamang Heritage Trail); Everest; Langtang, Gosainkund & Helambu (Tamang Heritage Trail); Rolwaling & Gauri Shankar (Lapche, Bigu & Tashi Lapcha); Mustang; Kanchenjunga; Makalu; and Nepal Himalaya, covering all of the above and most of the Himalayan range. A faithful hound named Kanchi followed them to Makalu Base Camp and wrote her own book entitled Kanchi's Tale, also in colour, B&W and Kindle. They were in Nepal in May 2015 and have also published an account of what happened (and didn't happen) after the earthquakes in Earthquake Diaries: Nepal 2015. Also available are their autobiography In Search of the Green-Eyed Yellow Idol, a pictorial guide to the Horn of Africa, and a trekking guide Australia: Red Centre Treks.

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Product details

Series: Himalayan Travel Guides

Paperback: 160 pages

Publisher: CreateSpace Independent Publishing Platform (July 17, 2015)

Language: English

ISBN-10: 1514834197

ISBN-13: 978-1514834190

Product Dimensions:

5.5 x 0.4 x 8.5 inches

Shipping Weight: 9.3 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#7,556,993 in Books (See Top 100 in Books)

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Earthquake Diaries: Nepal 2015: Dateline Kathmandu (Himalayan Travel Guides), by Sian Pritchard-Jones Bob Gibbons PDF

Earthquake Diaries: Nepal 2015: Dateline Kathmandu (Himalayan Travel Guides), by Sian Pritchard-Jones Bob Gibbons PDF

Earthquake Diaries: Nepal 2015: Dateline Kathmandu (Himalayan Travel Guides), by Sian Pritchard-Jones Bob Gibbons PDF

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Download PDF American Muscle Cars 2020: 16-Month Calendar Includes September 2019 through December 2020

Download PDF American Muscle Cars 2020: 16-Month Calendar Includes September 2019 through December 2020

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About the Author

The Editors of Motorbooks know their craft. Motorbooks is among the world's leading transportation publishers, offering books created by motoring's top photographers and writers, many created with major partners like Harley-Davidson, Chevrolet, Ford, and Chrysler and magazines like Hot Rod and Cycle World. Richard Prince has been immersed in the Corvette hobby since the 1970s. He owned and operated a full-service Corvette restoration shop from 1988-1995 and has been writing about and photographing Corvettes and other vehicles since 1991. He has authored two Corvette buyer's guides for Motorbooks, and his work has appeared in more than 400 publications around the world, including Car and Driver, Road & Track, Motor Trend, Automobile, Vogue, Maxim, The New York Times, USA Today, Racecar Engineering, Vintage Motorsport, and RACER. Prince's corporate photography clients include Aston Martin, Audi, Bentley, Buick, Cadillac, Chevrolet, Ferrari, Jaguar, Lexus, Lotus, Mazda, Mercedes-Benz, and Peugeot. He resides in New York. www.rprincephoto.com

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Product details

Calendar: 24 pages

Publisher: Motorbooks (August 6, 2019)

Language: English

ISBN-10: 0760365482

ISBN-13: 978-0760365489

Shipping Weight: 8.3 ounces (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#475,803 in Books (See Top 100 in Books)

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American Muscle Cars 2020: 16-Month Calendar Includes September 2019 through December 2020 PDF

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American Muscle Cars 2020: 16-Month Calendar Includes September 2019 through December 2020 PDF

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Free Ebook HTML, CSS, and JavaScript All in One, Sams Teach Yourself (3rd Edition)

Free Ebook HTML, CSS, and JavaScript All in One, Sams Teach Yourself (3rd Edition)

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HTML, CSS, and JavaScript All in One, Sams Teach Yourself (3rd Edition)

Free Ebook HTML, CSS, and JavaScript All in One, Sams Teach Yourself (3rd Edition)

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About the Author

Jennifer Kyrnin consults professionally on web design and web development. She has built and maintained websites of all sizes, from small single-page sites to large million-page database-driven sites for international audiences. She has taught HTML, XML, and web design online since 1997 and is the author of Sams Teach Yourself HTML5 Mobile Application Development, Sams Teach Yourself Responsive Web Design, and Sams Teach Yourself Bootstrap. Julie Meloni is a software development manager and technical consultant living in Washington, DC. She has written several books and articles on web-based programming languages and database topics, including the bestselling Sams Teach Yourself PHP, MySQL, and Apache All in One.

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Product details

Series: Sams Teach Yourself

Paperback: 800 pages

Publisher: Sams Publishing; 3 edition (December 10, 2018)

Language: English

ISBN-10: 0672338084

ISBN-13: 978-0672338083

Product Dimensions:

7 x 1.9 x 9.3 inches

Shipping Weight: 2.7 pounds (View shipping rates and policies)

Average Customer Review:

4.2 out of 5 stars

22 customer reviews

Amazon Best Sellers Rank:

#372,222 in Books (See Top 100 in Books)

This book is a great book for beginners. I highly recommended becuase the author Julie Meloni introduces you HTML basics, CSS and javascript. Meloni also teaches you the basics how to deploy a website through the FTP. The only problem that I had it was with the IDE I was not able to download

Good but you can get the same and probably a little more out the 4th edition

Very well made and formatted book. It answered many of the basic questions I had regarding web page development in HTML, CSS and JS.

I needed it for my class. It was exactly the book I was looking for. It arrived on time. Easy to understand

Good book

This book teaches the way I learn. It starts with an overview of the entire subject and then goes into each part in depth. The overview gives me a structure to hang the in depth knowledge on. When an author goes into depth without giving an overarching understanding it's hard to see how the in depth information relates to the whole picture.

Very thoroughly written and examples are easy to follow. There is a lot of content, so have something to take notes on handy.

A very useful book on HTML 5 , CSS3 and jQuery, thank you Sam.

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HTML, CSS, and JavaScript All in One, Sams Teach Yourself (3rd Edition) PDF

HTML, CSS, and JavaScript All in One, Sams Teach Yourself (3rd Edition) PDF

HTML, CSS, and JavaScript All in One, Sams Teach Yourself (3rd Edition) PDF

HTML, CSS, and JavaScript All in One, Sams Teach Yourself (3rd Edition) PDF

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Get Free Ebook Style and the Man

Get Free Ebook Style and the Man

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Style and the Man

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Review

"Alan is one of the most knowledgeable experts on men's fashion, and has created the ultimate reference for everything you need to know about good taste, great style, and where to find it throughout the world." -- Ralph Lauren"Alan Flusser is knowledgeable, cultivated, and a true gentleman in every sense of the word. The clothes he created for me in "Wall Street elicited the most attention and applause of any costume design done for any of my films." -- Michael Douglas"There is a difference between having nice clothes and wearing clothes that work specifically for you. Alan Flusser gives you the insight to make the best choices for yourself."-- Bob Costas, NBC Sports"Alan Flusser writes about menswear with authority, intelligence, and a healthy dose of his unique personal style that has made him the wardrober of choice for a distinguished cadre of gentlemen worldwide. "Style and the Man"'s historical references, engaging prose, and anecdotal asides make it a great read as well."-- Philip B. Miller, chairman and chief executive officer, Saks Fifth Avenue"No one knows as much about men's clothing as Alan Flusser--he has an encyclopedic knowledge of its history combined with a modern merchant's insight into design, tailoring, and selling. Read him and absorb."-- Bill Blass

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From the Back Cover

Alan Flusser believes that dressing well is something every man can readily accomplish. In this newly abridged and updated edition of Style and the Man, Flusser shares his vast knowledge of men's clothes and provides essential information for anyone interested in savvy attire. This elegantly written treatise will arm any man with a connoisseur's knowledge of the dos and don'ts of buying and wearing quality clothes and how much they should cost, from dinnerwear to casual sportswear. This book is also a veritable encyclopedia on individualizing questions about fabric, quality, and fit, as well as the appreciable and qualitative distinctions between clothes of different prices and makes. Open Style and the Man to discover:the difference between a $395 and a $1,000 suitwhat two words to look for on a costly dress shirt's labelwhy the folds in a cummerbund should always be worn facing upFrom the tuxedo to the Top-Sider, Alan Flusser explains the sartorial origins and modern applications of haberdashery. All a man has to do is tuck this book into a corner of his suitcase or back pocket, and he'll be armed with an insider's knowledge of how to guide the tailor or salesperson in fitting or choosing those clothes that will become long-term players in his maturing wardrobe and personal style.

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Product details

Hardcover: 160 pages

Publisher: It Books; 1 edition (May 11, 2010)

Language: English

ISBN-10: 0061976156

ISBN-13: 978-0061976155

Product Dimensions:

5 x 0.6 x 7.5 inches

Shipping Weight: 8 ounces (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

43 customer reviews

Amazon Best Sellers Rank:

#372,353 in Books (See Top 100 in Books)

I enjoyed A.F.'s other books enough to buy this one, although it is not nearly as practical. The sections on where to buy clothes are not only out of date by now, they are also designed for people who have far more money than most. Actually, I don't know why this book was published originally since, if you have the money to shop at these stores, you probably already know about them. It almost seems like a matter of credentialing, but who knows.I would buy one of A.F.'s other books if you are just looking for a men's clothing guide. However, if the subject matter really interests you, you will find that each of A.F.'s books covers much of the same ground, but in slightly different ways, so that there is value in reading all of them, including this one.

 SummaryAlan Flusser's book "Style and the Man" is an excellent introduction to the world of menswear. In about 140 pages, he covers the foundations of menswear and for any man looking for an introductory guide this book will be hard to beat. Although it does have a few shortcomings, I can't give less than five stars to a book that costs less than two coffee's at Starbucks yet provides a lifetime of sartorial insight. The book itself is of high quality build and has simple yet clear illustrations.Introduction - My qualifications to review this bookMy name is Antonio and I founded an online custom clothier. I talk with men on a daily basis about how to dress properly and have written articles on men's style. I have owned this edition of Style and the Man for 3 months, and have owned the first edition for 10 years.What I Love about this Book1. Quality Content - In one sitting, a quick reader can learn the basics of menswear. Alan Flusser does an excellent job hitting on the points that need to be addressed when introducing the foundations of dressing well. His writing style is clear, understandable, and comprehensive to a degree. He doesn't use too many 50 cent words, and attempts to organize his writing in a manner that allows you to build off concepts he taught you in earlier chapters. When explaining somewhat complicated concepts, he makes sure to bring in a drawing to illustrate his point. Most importantly, I feel Alan's writings create a hunger within the curious to learn more.2. Hardcover Build - The book is physically beautiful - the binding is crisp and clean and the text small but readable. Also the hardcover gives it a higher perceived value in terms of gift giving!3. Simple Black and White Images - Some people will complain about this, but I like the simplicity of the drawings as they clearly illustrate the point. There is no confusion as to what Flusser is trying to show you.4. Value - I would have paid $40 for this book - the information is both solid and timeless. As of Fall 2010 it can be had for 1/4 this cost, an amazing bargain for those that understand the value of information.What I do not Like1. Very few updates from the 1st Edition - I loved the first edition that Alan published in 1996. It was much larger, with 2/3 the book being about where to shop and the details pertaining to dozens of men's stores around the world. Unfortunately this dated the book, and drew many complaints. The 2010 edition is this same book, with 2/3 the 1998 version cut out, and with the remaining 1/3 "updated". However, this update seems to have resulted in less than 5% of the content changing. Even the introduction is almost exactly the same! Granted the information is timeless.....but I was hoping for more.2. Organization could be improved - At 140 pages, this book needs a bit more sectioning in the table of contents and deserves an index. With both of these being defunct, this book is not the easiest to navigate.3. If you own first edition, not worth the upgrade - There is no new material, 95% of the content is the same from the 1st edition and the few changes are cosmetic.Final Recommendation5 out of 5 Stars. Although it has a major fault in not being a big improvement from the first edition, its value price and breadth make it an unbeatable value for any man who does not own the first volume. I recommend buying this book.

This book is a must have for any gentleman who cares about how he looks, and whether that $200 tie he just bought is actually worth $200. Not just for the teenager who is buying his first suit, any gentleman, young or old can learn a few things about themselves, and their clothes from this book. The book shows what to look for in clothes from suits to ties to shirts to shoes, and every accessory in between, it covers all bases a gentleman will encounter throughout his satorial life. The illustrations in the book clearly and concisely show what works for gentlemen of different physiques, and how your suits and trousers should properly hang on your body. Well worth every penny, and I look forward to buying "Dressing the Man" soon.

The problem with most of these types of books as they go to far from the reality of the average man's needs. This one is no exception, OK if you want to know the history of socks or that the English invented the single middle vent in a sport jacket so as to ride their horse comfortably.

Alan Flusser in this book really brings out and shares histhoughts/ ideas on the significance in what to buy accordingto your size and shape and the best place to purchasemens clothing.Certain things that might look good on youmy not look the same on me. Alway Remember,,,,,,,,,,,

This is a wonderful took back to a time when men actually cared about how they looked

Great manual for male style. GC would agree

Dress to impress

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Free Download The Oxford History of Western Art

Free Download The Oxford History of Western Art

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The Oxford History of Western Art

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From Publishers Weekly

The dogmatic overviews of art that are the traditional texts for students in college-level survey classes and the occasional museum-goer are overthrown by this refreshing and accessible survey. Instead of foregone conclusions, renowned art historian Kemp and his 50 contributors (representing a diversity of backgrounds and specialties) offer an elasticized look at art and an understanding that poses as many questions as it answers. Instead of taking a purely visual approach (i.e., organized by style and medium along a linear chronology), Kemp focuses on social, religious and political history, occasionally showing art in situ and juxtaposing photos by subject matter, but without ignoring standard art historical pedagogy. The first section, for example, focuses on the classical art of ancient Greece and Rome, but includes a subsection on "Ancient Paradigms from Augustus to Mussolini." The final section, "Modernism and After," extends the book's western reach to include the art of the Soviet Union, Latin America and India, and discusses the roles of art museums and galleries and the evolving discipline of art history. "Ultimately, there is no reason to look at art," Kemp writes in the epilogue, "but many of us cannot stop doing it, and it clearly meets fundamental human needs visually, intellectually, and psychologically. This book is designed to assist in meeting those needs." And so it does. (Oct. 31) Copyright 2000 Reed Business Information, Inc.

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From Booklist

There have been numerous single-volume histories of Western art that squeeze 2,500 years of creativity into less than half that number of pages, using essentially the same chronological outline. Art historian Kemp and his 50 contributors have taken a more fluid and inclusive approach by establishing the context within which art is created and exhibited and eschewing conventional period designations for more socially oriented perspectives and thematic groupings. Specific media, such as prints, painting, stained glass, and altarpieces, are considered independently, and there is an in-depth discussion of the shift from the influence of the church to that of nations. Kemp and company do a tidy job of chronicling the rapid evolution in innovative form and image that took place between 1770 and 1914, the "era of revolutions"; and the section on the impact of the conquest of the Americas on both indigenous and European art is eye-opening. The modern era is intelligently sampled, with a strong photography section, but inevitably many facets are reduced to tantalizing glimpses, which, it is hoped, will instigate further study. Donna SeamanCopyright © American Library Association. All rights reserved

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Product details

Hardcover: 576 pages

Publisher: Oxford University Press; 1st edition (October 19, 2000)

Language: English

ISBN-10: 0198600127

ISBN-13: 978-0198600121

Product Dimensions:

11 x 2 x 8.8 inches

Shipping Weight: 6.2 pounds (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

5 customer reviews

Amazon Best Sellers Rank:

#475,834 in Books (See Top 100 in Books)

Informative but to much covered so the pictures are small and underwhelming. Pick an era or subject with less breadth.

Excellent and informative book on Art from Greece and Rome 600BC to Modernism in the 20th century. Book in excellent condition and superb colour plates too! Will be extremely useful for my on-going University studies of the History of Art.

I have the highest regard for Kemp and a number of the contributors to this volume; this is especially due to the fact that I was once a student of his, and the source of much of my excitement derives itself directly from having listened to his wonderful lectures. This book, however, was a major disappointment in many respects.Espousing a new approach to art history which is image based, Kemp has provided us with a text that is filled with glorious reproductions. Alongside the old favourites are many new discoveries, and the inclusion of areas of design and the attention to the history of photography is not just welcome but a breath of fresh air. Yet, there is very little text accompanying the imagery, and a complete lack of architecture.Why? Kemp and his contributors don't offer an explanation. Where complicated art require an explanation for the uninitiated, the reader is left with little to rely on. This may be due to the fact that Oxford is currently publishing an excellent series of detailed texts on specific periods and ideas (though not all are that good... avoid the volume on Modernism at all costs), but I would think that Kemp's book should be self-sufficient. It isn't.Most of these large volumes are published with introductary art history classes in mind. As a professor, I look to have material which will enhance my teachings. Kemp fails to provide this. I loved looking through the book, but it would be impossible to teach from this, in that little information is provided for an audience who will be mostly ignorant of that which they're looking at.Truly, its a beautiful book to look at, and I recommend purchasing it on that basis alone, but don't buy it to read anything substantial. Oxford should think about a second edition quickly if they wish to bite into the market that Gardner, Janson, and Stockstad have established on campuses in this country.

It is often said that beauty is in the eye of the beholder. To an extent that is true but it also has its limitations. The proper appreciation of art is not a matter of taste or impressions but an intellectual understanding of what a particular work is trying to do. That is as true of Michelangelo's Sistine Chapel as it is Mark Rothko's Ochre on Red on Red. To understand a piece of art, one must understand the context that created it. That means both the society the artist lived in and the threads that connect art throughout history. A perfect book to explain that is The Oxford History of Western Art, edited by Martin Kemp.Kemp and the other contributors describe the age artists lived in, the motivations for their creations and the technical details involved in the creation of different kinds of art. There is the perfect combination of art theory and history and Kemp is careful not to impose modern prejudices and understandings (theory, techniques, world view) on the past.The particular strength of the book is the Renaissance and its weakness may be a longer than necessary examination of the last 200 years (although, unlike earlier ages, there are more areas to cover with the advent of different kinds of art such as photography and splintering of many styles).The Oxford History of Western Art is must reading for anyone nominally interested in art, but also religion, history and philosophy. We cannot understand art without understanding the context in which it was created. The flip-side, however, is also true. Our understanding of our world is enhanced when we see it through the eyes of our best artists.

Why should any art afficiando purchase yet another "History of Western Art" book? Answer: Because this one is thoughtful and user friendly. Yes, electing to present the entire history of Western Art is daunting and often borders on stuffy: Martin Kemp has wisely recodified the presentation to maintain the flow of chronolgy but to this flow he adds the refreshing idea of grouping paintings into similar examples of each period, the effect of which provides entertaining and eye-opening disclosures that have not been readily available prior to this volume. Example: In a section on the Era of Revolution 1770 - 1914 he groups paintings into categories such as 'Romantic Quandries' showing Goya's "Third of May, 1808" with Turner's "Snow Storm: Hannibal Crossing the Alps" and Gericault's "The Raft of Medusa" - combining a study not only of politial content but also of variations in landscape and figure painting. 'Disquieting Images' pairs Goya's "Fire" with Gericault's "Severed Limbs". At the end of this section of the book Kemp gifts us with photographic visions through the stereoptican and progresses through Julia Margaret Cameron's "Lancelot and Guinevere" to Alfred Stieglitz. He ends this beautifully and generously illustrated volume with a fine Chronology pairing artistic events with concurrent events in that time's contemporary world. The book is thorough enough to accompany any art student's passage through the academy, but more important this History is a quick reference, elegantly detailed, to refresh each of us when we encounter that newly uncovered masterpiece in the museums and magazines. Excellent.

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