Free PDF , by James Scott Bell
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, by James Scott Bell
Free PDF , by James Scott Bell
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Product details
File Size: 4107 KB
Print Length: 121 pages
Page Numbers Source ISBN: 0910355282
Simultaneous Device Usage: Unlimited
Publisher: Compendium Press (October 12, 2015)
Publication Date: October 12, 2015
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B016KX64LY
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Amazon Best Sellers Rank:
#65,564 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I've been writing for 30 years. In my early days, I devoured books on writing and studied Writer's Digest magazine like the sacred text of literary skill. But after a while, it all started to sound the same. There were only so many things you could say about how to write a story. I stopped buying books on writing and let my WD subscription lapse.Instead of reading about writing, I wrote. And wrote. I finished my first novel. I wrote some more. At conferences and workshops I heard writers and editors talking about this one holy grail that everybody sought: a VOICE that "sang", a voice that stood out in the slush pile, a "fresh" voice, a "unique" voice. So I took workshops on "finding your voice". It was all very kumbaya and mystical. IT DIDN'T HELP.It's painful to be told there's something lacking that would make your writing stand out and be noticed if it were there. And it's maddening that nobody seemed to be able to tell me what it was or how to develop it.I've taken classes with James Scott Bell at writing conferences. I've purchased his books. He's an excellent teacher and has a way of explaining things that is logical and clear. But I admit... when I first heard that he was writing on the topic of "voice" I thought, "What could he possibly have to say that would help? Nobody can define that thing. Nobody seems to know what it is."As cliche as it is, I tip my hat to Bell. I give him a deep Chinese bow, full of respect and honor. (Okay, that's my writer melodrama coming out, sorry!) Not only does Bell break the concept of "voice" into its component parts, he offers exercises that will help us develop it in our writing and includes scores of examples so we can SEE voice in action and analyze it. Not only that, but I've read his recent thriller release, Romeo's Rules (A Mike Romeo Thriller), and Bell himself has applied these principles to good effect. In writing Mike Romeo, Bell has captured that hard-boiled, wry-humor voice that I most enjoy for heroes in that genre. So the man practices what he preaches.All around, if you want to develop (or strengthen) that elusive quality of "voice" in your writing, this book is a must-read.
I've enjoyed Mr. Bell's fiction and found his books on writing to be very valuable. I just purchased Voice a few days ago and finished it tonight. Another diamond work for Mr. Bell. While there is no shortage of books on writing, I like the fact that I came away with fresh ideas that I hadn't seen before. I even got so excited about one section that I sat down and pounded out 300 words in a blink because the teaching fired my imagination.I'm now going to go back through to the sections I highlighted and apply it to a couple of my works in progress.A great book at a very reasonable price and loaded with sound advice with concrete suggestions on how to apply it.Well worth the investment.
As always, James Scott Bell clearly analyzes a particular story aspect, in this case "voice," then offers step by step suggestions on how to improve your skills in that aspect. Voice is a particularly mushy subject that most publishing pros don't seem to verbalize well. Bell uses the classic "I know it when I see it" example, but then explains exactly what you're seeing. His exercises are simple, but enlightening. He offers lots of great examples that illustrate voice in different genres. What I like best about his craft books is he gets to the meat without sermons and pontifications. He doesn't waste your time. You finish the book with a much better understanding, tangible tools to use, and elevated knowledge in an advanced storytelling concept.
I am a big fan of most of Bell's books. This one seems to be confused about what it wants to teach. The first few pages say 'voice' is an author's voice coming through a character in a novel. This makes sense. Great. Then there is some work on writing with emotion, then most of the rest of the book is about how to write description. They don't relate. Had he said voice is an author's style.....then this would have made some sense.So, the first chapter is about character, and then a chapter about how to get in the right mood and mindset to write with emotion (write down 10 things in the world you feel strongly about, then write a page about it), and the remaining book is about description. There are examples in the final 10% of the book, and they are by genre, but there isn't any analysis of what makes them good or something worth studying. There are a few sentences that say something like "science fiction has technical details to merge seamlessly into description" or something, and that's pretty much it. I would suggest his other books instead of this one.
VOICE, The Secret Power... - Another great book by JSB. And this one sheds light on the most difficult area of writing - voice. Most panel discussions can't define it, can't tell you how to find yours, and leave you confused. Many teachers have discussed finding the voice of your characters - good advice. Others leave us believing we have to develop an "unforgettable" voice as the author. JSB (for the first time I've seen it described) shows us the "formula" for the interaction between author-character-craft. He discusses the concept, and then gives us examples. If you're looking for "voice," read this one!
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