Ebook Free Modern Leatherwork for Makers: Traditional Craft Techniques Meet CNC and 3D Printing, by Tim Deagan
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Modern Leatherwork for Makers: Traditional Craft Techniques Meet CNC and 3D Printing, by Tim Deagan
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About the Author
Tim Deagan has written for Make: magazine, Nuts and Volts, and other technical publications. He is a licensed Texas Flame Effects Operator and the Flame and Safety Coordinator for the Austin Mini Maker Faire. After years of building flame effects, aka "booshes," in the local Burn community, Tim began teaching classes called "Propane 101" and "Build Your Own Aluminum Foundry" to help other interested makers create their own projects. As a former firefighter in the Brent Volunteer Fire Department and captain of a Red Cross Disaster Action Team, Tim has always believed that the most exciting pursuits are at their best when safety is fully understood and becomes part of the culture. Tim is also a contributor to the open-source 3D CAD program OpenSCAD and an active member of the Handibot CNC and Printrbot 3D printer communities.
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Product details
Age Range: 12 and up
Grade Level: 7 and up
Series: Make:
Paperback: 238 pages
Publisher: Maker Media, Inc; 1 edition (August 21, 2017)
Language: English
ISBN-10: 9781680453201
ISBN-13: 978-1680453201
ASIN: 1680453203
Product Dimensions:
8 x 0.5 x 10 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
3.9 out of 5 stars
9 customer reviews
Amazon Best Sellers Rank:
#917,824 in Books (See Top 100 in Books)
A long, long time ago, I remember being given a set of leather punches or dies. They were intended to be used to stamp patterns into leather. I don’t recall ever having anything more than leather scraps to work on, but it was fun while the excitement lasted. I am still attracted to hand tooled leather goods. I admire the craftsmanship and artistry, recognizing that I lack the patience to pursue something like this. Tim Deagan’s somewhat odd tome on using CNC machines, 3D printers and other devices, like craft cutting machines has reawakened my old interest in the form of lust. Now I want a CNC machine and a 3D printer. (I already have the cutting machine.) Ultimately “Modern Leatherwork for Makers†has little practical value to me. Despite the addition of modern technology, this very well-illustrated book drives home once again that leatherworking is a hand-craft and now I not only lack the patience, but the manual dexterity. Deagan provides a thorough basic introduction to leatherworking. I found this to be informative and also convincing, in the sense of making it clear that leatherwork is something for me to admire, not to create. He then goes on to describe how CNC machines and 3D printers can be brought to the craft. These equally thorough basic introductions convinced me that I need a 3D printer soon – and, quite possibly, a CNC machine. Deagan provides seven projects illustrating concepts. One of them, a combination hatband for a Steampunk-style top hat and action cam, opened my eyes and my mind to something I have long wanted to try. Each of the projects is fascinating in its own right for me, as Deagan demonstrated how the machines can be used. Deagan’s writing style is excellent. He is thorough without becoming pedantic. His attention to detail is very impressive. Even though I will not pursue leatherworking as an advocation, I am indebted to Me. Deagan for an excellent introduction to the practical use of CNC machines and 3D printers.Jerry
Veteran practitioners of the ancient art and craft of leatherwork may recoil at the notion of introducing computer numeric control (CNC) machines, software and 3D printers into processes they have always done carefully by hand, with hand tools. The author of this book, Tim Deagan, however, is a bit of a modern Renaissance man when it comes to making things and trying new technology. His new book is a refreshing blend of (1) time-proven, basic techniques for cutting, grooving, gouging, beveling, edging and joining leather, (2) using hobby-level CNC machines to cut pieces and laser-drill holes, and (3) using 3D printers to impart decorative designs onto leather surfaces. It should be noted right away that these 3D-printed embellishments will not be nearly as durable as hand-tooled decorations that have been hammered into leather. But Deagan is not deterred in his mission. "Modern Leatherwork for Makers" likely will encourage tech-savvy makers (young, old or in between) to try their hands at leatherwork. "With a willingness to trade durability and strength for customization and availability," he writes, "leatherworkers can easily 3D print many items that expand their capabilities." The projects in his book are geared toward beginners, usefulness and fun. The leather items range from a video-game-inspired cell phone case to a fractal-pattern journal cover and a Steampunk action-cam top hat band. But hand work is always required with these projects, including stitching, dyeing, coloring, finishing and using products to hasten the softening of leather. Even if you don't want to work with CNC machines and 3D printers, you can learn some good, basic leatherworking skills from this book. "Modern Leatherwork for Makers" is written clearly, well organized and well illustrated. So which is better, "old-school leatherworking techniques" or "modern digital fabrication methods"? Tim Deagan admires the careful artistry of those who pursue the time-honored approaches. But he believes modern technology is bringing new capabilities and possibilities to leatherworking, as well. "I don't believe that either is better than the other; I believe they complement one another beautifully," he contends.My thanks to O'Reilly Media for providing an advance reading copy for review.
I figured that this would expect some background in the maker world of tools, so 2d+1 CNC machines and 3d additive printing, and then would try to introduce leatherworking and some ways to use the maker tools in leatherworking. But there was I think too much assumed, on both the maker side and the leather side. I could see some interesting projects in here, but a first read did not teach me much in the way of technique. Perhaps if I knew traditional leatherwork? Maybe that would have helped. With a different background, your mileage might vary (a lot).
This is an excellent how to. I love that it includes the most basic leather buying terminology. It covers basic leatherworking as well as using the 3d printer and CNC machines, with software, to take it up a notch. Several projects are discussed that are very in demand and modern, like steampunk, cell phone cases, shoulder bags, ect. Cutting and joining leather, basic tools, rivets, grommets, dyes, lubricants- it's pretty much all there for the basics. The book has resources too, from free software that you can use, to patterns to download, supply houses for leather and supplies, and websites of interest to makers.It's well illustrated, easy to understand, but do expect some work learning to use the software and machines. The book does facilitate that though.I'm not sure I'd gift this book to anyone, because of the skill level involved, but I think it's an excellent guide for a cosplayer, fashion designer, or leatherworker who wants to take their work to a professional level with modern projects.
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